Carter 3 niggas wezzy f baby birdman curnnecy mack maine all of cash money and young money ride wit me I had a dream nigga to stack money and live grand big house. How Tha Carter III came to be 'the most anticipated rap album of 2008' is a story that involves the usual delays and promises of a masterpiece, plus a whole lot of bullet points that could only exist in the absurd world of Lil Wayne. Save lil wayne the carter 3 to get e-mail alerts and updates on your eBay Feed. + Items in search results. LIL WAYNE THE CARTER V (2018) NEW 2CD ALBUM LIMITED EDITION! SHIPS IMMEDIATELY. Free Shipping. Lil Wayne: Tha Carter Iii CD (2008) Pre-Owned. Provided to YouTube by Universal Music Group North America 3 Peat Lil Wayne Tha Carter III ℗ ℗ 2008 Cash Money Records Inc. Released on: 2008-01-01 Producer: Vaushaun 'Maestro' Brooks. It couldn't be any further than what Tha Carter III was poised to do for Wayne when it was released 10 years ago this Sunday.

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On the conclusion to Wayne's Carter trilogy, clouds of incoherence give way to the occasional beams of lucidity. For the latter, nonsense transforms into catharsis, and Wayne sounds like a modern-day, word-drunk Screamin' Jay Hawkins, angry and defiant as he stares in the mirror. Other times, Wayne simply sounds drunk, sputtering limp jokes and railing against imaginary haters. The album's highs ('Mr.

Carter,' 'Dr. Carter') are stunning, but they sink beneath generic pop-hop ('Ms. Officer') and mixtape material ('You Ain't Got Nottin'). It's singular, but that's not always a compliment. On the conclusion to Wayne's Carter trilogy, clouds of incoherence give way to the occasional beams of lucidity.

For the latter, nonsense transforms into catharsis, and Wayne sounds like a modern-day, word-drunk Screamin' Jay Hawkins, angry and defiant as he stares in the mirror. Other times, Wayne simply sounds drunk, sputtering limp jokes and railing against imaginary haters. The album's highs ('Mr. Carter,' 'Dr. Carter') are stunning, but they sink beneath generic pop-hop ('Ms.

Officer') and mixtape material ('You Ain't Got Nottin'). It's singular, but that's not always a compliment. On the conclusion to Wayne's Carter trilogy, clouds of incoherence give way to the occasional beams of lucidity. For the latter, nonsense transforms into catharsis, and Wayne sounds like a modern-day, word-drunk Screamin' Jay Hawkins, angry and defiant as he stares in the mirror. Other times, Wayne simply sounds drunk, sputtering limp jokes and railing against imaginary haters. The album's highs ('Mr. Carter,' 'Dr.

Carter') are stunning, but they sink beneath generic pop-hop ('Ms. Officer') and mixtape material ('You Ain't Got Nottin'). It's singular, but that's not always a compliment.

EDITORS’ NOTES In an industry that becomes more inhibited and conservative with each passing year, Wayne is one of the few million-dollar pop stars who refuses to color inside the lines. This album’s jarring collection of styles is what makes it exciting, and what makes it so definitively Wayne. No one could make Weezy choose between the Jamaican infusions of “Mrs.

Officer” and “A Milli,” the vintage soul of “Mr. Carter” and “Dr. Carter” and “Let the Beat Build,” and the pop subversions of “La La” and “Lollipop.” They are all equal parts of Wayne’s personality, and Tha Carter III accords them all equal space. Wayne is the most quotable man in music, and he uses his voices in ways that makes other rappers appear timid and banal.

EDITORS’ NOTES In an industry that becomes more inhibited and conservative with each passing year, Wayne is one of the few million-dollar pop stars who refuses to color inside the lines. This album’s jarring collection of styles is what makes it exciting, and what makes it so definitively Wayne. No one could make Weezy choose between the Jamaican infusions of “Mrs. Officer” and “A Milli,” the vintage soul of “Mr. Carter” and “Dr. Carter” and “Let the Beat Build,” and the pop subversions of “La La” and “Lollipop.” They are all equal parts of Wayne’s personality, and Tha Carter III accords them all equal space. Wayne is the most quotable man in music, and he uses his voices in ways that makes other rappers appear timid and banal.

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